Happy Birthday, Louis
Today in 1952, Louis Menand was born in Syracuse, New York.
I confess that my favorite thing by him was his book review of Eats, Shoots & Leaves, which begins:
You can read the whole review here, and you should, as his discussion of writing, which begins after he stops beating up on Truss - starting with this paragraph
The first punctuation mistake in “Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation” (Gotham; $17.50), by Lynne Truss, a British writer, appears in the dedication, where a nonrestrictive clause is not preceded by a comma. It is a wild ride downhill from there. “Eats, Shoots & Leaves” presents itself as a call to arms, in a world spinning rapidly into subliteracy, by a hip yet unapologetic curmudgeon, a stickler for the rules of writing. But it’s hard to fend off the suspicion that the whole thing might be a hoax.
The foreword, by Frank McCourt, contains another comma-free nonrestrictive clause (“I feel no such sympathy for the manager of my local supermarket who must have a cellarful of apostrophes he doesn’t know what to do with”) and a superfluous ellipsis. The preface, by Truss, includes a misplaced apostrophe (“printers’ marks”) and two misused semicolons: one that separates unpunctuated items in a list and one that sets off a dependent clause. About half the semicolons in the rest of the book are either unnecessary or ungrammatical, and the comma is deployed as the mood strikes. Sometimes, phrases such as “of course” are set off by commas; sometimes, they are not. Doubtful, distracting, and unwarranted commas turn up in front of restrictive phrases (“Naturally we become timid about making our insights known, in such inhospitable conditions”), before correlative conjunctions (“Either this will ring bells for you, or it won’t”), and in prepositional phrases (“including biblical names, and any foreign name with an unpronounced final ‘s’ ”). Where you most expect punctuation, it may not show up at all: “You have to give initial capitals to the words Biro and Hoover otherwise you automatically get tedious letters from solicitors.”
Parentheses are used, wrongly, to add independent clauses to the ends of sentences: “I bought a copy of Eric Partridge’s Usage and Abusage and covered it in sticky-backed plastic so that it would last a lifetime (it has).” Citation form varies: one passage from the Bible is identified as “Luke, xxiii, 43” and another, a page later, as “Isaiah xl, 3.” The word “abuzz” is printed with a hyphen, which it does not have. We are informed that when a sentence ends with a quotation American usage always places the terminal punctuation inside the quotation marks, which is not so. (An American would not write “Who said ‘I cannot tell a lie?’ ”) A line from “My Fair Lady” is misquoted (“The Arabs learn Arabian with the speed of summer lightning”). And it is stated that The New Yorker, “that famously punctilious periodical,” renders “the nineteen-eighties” as the “1980’s,” which it does not. The New Yorker renders “the nineteen-eighties” as “the nineteen-eighties.”...Some of Truss’s departures from punctuation norms are just British laxness. In a book that pretends to be all about firmness, though, this is not a good excuse. The main rule in grammatical form is to stick to whatever rules you start out with, and the most objectionable thing about Truss’s writing is its inconsistency. Either Truss needed a copy editor or her copy editor needed a copy editor.
Though she has persuaded herself otherwise, Truss doesn’t want people to care about correctness. She wants them to care about writing and about using the full resources of the language. “Eats, Shoots & Leaves” is really a “decline of print culture” book disguised as a style manual (poorly disguised). Truss has got things mixed up because she has confused two aspects of writing: the technological and the aesthetic.is well worth your time .